Thursday 10 November 2011

Language of Film


I have research into title sequences to find out what the technical codes and conventions were for the crime genre that we have chosen. Before that I needed to research in depth about the different techniques and what the names where for them.

Basic Terms

Auteur:  another word (French) for the author (Director)
Diegesis: objects, events, spaces and the characters that inhabit them.
Editing: the joining together of clips
Flashback / Flashforward: a jump backwards or forwards in diegetic time.
Focus - Depth of field: shallow focus, deep fouces, racking focus.
Mise-en-scene: "put in the scene": the setting, the decor, the lighting, the costumes, the performance
Story / Plot: fabula and syuzhet, the events that are directly presented in the film, the order, duration, and setting of those events
Scene / Sequence: takes place in a single time and place
Shot: a single stream of images, uninterrupted by editing.

Mise-en-scene

Decor:  objects contained in and the setting of a scene
Three-Point Lighting: standard lighting scheme for classical narrative
High-Key lighting: produces images that are usually very bright and that feature few shadows on the principal subjects
Low-Key lighting: lighting scheme that employs very little fill light, creating strong contrasts between the brightest and darkest parts
Costume: clothes that characters wear
Deep Space: significant elements of an image are positioned both near to and distant from the camera
Frontality: elements face the camera square-on
Matte Shot: process shot in which two photographic images are combined into a single image
Offscreen Space: Space that exists in the diegesis but that is not visible in the frame.
Shallow Space: the image is staged with very little depth, opposite of deep space

Cinematography

Colour: used to create aesthetic patterns and to establish character or emotion
Contrast: the ratio of dark to light in an image
Deep Focus: significant elements occupy widely separated planes in the image
Shallow Focus: keeps only one plane in sharp focus
Depth of Field: The distance through which elements in an image are in sharp focus
Exposure: A camera lens has an aperture that controls how much light passes through the lens and onto the film
Racking Focus: changing the focus of a lens such that an element in one plane of the image goes in or out of focus
Telephoto Shot: An image shot with an extremely long lens is called a telephoto shot to compress the apparent depth of an image
Zoom Shot: change the focal length of the lens while the shot is in progress
Low Angle:  shooting at a lower position than the dominant element
High Angle:  shooting at a higher position than the dominant element
Canted Framing: frame is not level
Point of View Shot: camera placed approximately where the character's eyes would be.
Extreme Long Shot: object shown is very small (as used as establishing shots)
Long Shot: the object shown is small, taking up the hight of the screen
Medium Long Shot: is when a human is only shown from the knees up 
Medium Shots. the subject or actor and its setting occupy roughly equal areas in the frame (waist up)
Medium Close-up: the object shown is fairly large, (shoulders up)
Close-up: the object shown is relatively large, just the head is shown.
Extreme Close-up: the object shown is very large (mouth or eye)
Crane Shot: camera above the ground and moving through the air in any direction.
Handheld Camera, Steadycam: the camera operator's body as a camera support, either holding it by hand or using a gyroscopic stabiliser and a harness
Pan: camera body turning to the right or left
Tilt:  camera body swivelling upward or downward
Tracking Shot:  travels through space forward, backward, or laterally
Whip Pan: extremely fast movement of the camera from side to side to make image to blur

Editing


Cheat cut: cut which purports to show continuous time and space
Crosscutting: alternates shots of two or more lines of action occurring in different places
Cut-in, Cut Away: shift from a distant framing to a closer view
Dissolve: transition between two shots during which the first image gradually disappears while the second image gradually appears
Iris: round, moving mask that can close down to end a scene
Jump Cut: elliptical cut that appears to be an interruption of a single shot
Establishing Shot: usually involving a distant framing, that shows the spatial relations among the important figures, objects, and setting in a scene
Shot / Reverse Shot: Two or more shots edited together that alternate characters, typically in a conversation situation.
Wipe: transition between shots in which a line passes across the screen, eliminating the first shot as it goes and replacing it with the next one
Eye line Match: first shot shows a person off in one direction and the second shows a nearby space containing what he or she sees
Match on Action: cut which splices two different views of the same action together at the same moment in the movement
Continuity Editing: cutting to maintain continuous and clear narrative action

Sound

Sound Bridge: sound from the previous scene carries over briefly before the sound from the new scene begins.
Sonic Flashback: one diegetic time is heard over images from a later time
Diegetic Sound: sound presented as originating from a source within the film's world
Non-Diegetic Sound: sound not originating from a source within the film's world
Offscreen Sound: simultaneous sound from a source assumed to be in the space of the scene but outside what is visible onscreen
Post Synchronization sound: The process of adding sound to images after they have been shot and assembled
Voice Over: When a voice, often that of a character in the film, is heard while we see an image of a space and time in which that character is not actually speaking

This will help me to analyse other title sequences to find out what the technical codes and conventions are but also will help me in the production and post-production fazes of our title sequences as I can uses my research to develop and improvement to to opening but also add different techniques 
aspects as well. 

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